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・ Live at Montreux 2005
・ Live at Montreux 2006
・ Live at Montreux 2010
・ Live at Montreux 2011
・ Live at Montreux 2012
・ Live at Montreux 2013
・ Live at Montreux and Northsea
・ Live at Much
・ Live at Myrtle Beach
・ Live at Nassau Coliseum '78
・ Live at Nearfest
・ Live at NEARfest 2007
・ Live at Nettlebed
・ Live at New Birth Cathedral
・ Live at Newcastle
Live at Newport '58
・ Live at Newport '77
・ Live at Newport (Christian Scott album)
・ Live at Newport (Eddie Harris album)
・ Live at Newport (Joan Baez album)
・ Live at Newport (McCoy Tyner album)
・ Live at Newport (Phil Ochs album)
・ Live at Newport (The Kingston Trio album)
・ Live at Newport 1958 & 1963
・ Live at Newport II
・ Live at Nottingham Rock City
・ Live at O-East 20040305
・ Live at Oak Mountain
・ Live at Oak Tree (Aaron & Amanda Crabb album)
・ Live at Oak Tree (Austins Bridge album)


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Live at Newport '58 : ウィキペディア英語版
Live at Newport '58

''Live at Newport '58'' is a live album by jazz pianist Horace Silver. The album was recorded on July 6, 1958 at the Newport Jazz Festival. Blue Note Records released the album in 2008. It is one of the few officially released live albums with Silver as bandleader.〔〔〔
Producer Michael Cuscuna discovered Silver's Newport performance while auditioning tapes at the Library of Congress.〔 He was able to locate a three-track master recording in Columbia Records' archives, as Columbia producer George Avakian had supervised the recording of the entire 1958 Newport Festival.〔
The personnel lineup that appears on this album was relatively short-lived. Junior Cook and Louis Hayes were the only two sidemen remaining from the previous edition of the Quintet. Trumpeter Louis Smith, who replaced Donald Byrd, was with the group for only a short time before Blue Mitchell replaced him, and this album presents Smith's only full performance with the group.〔 However, critic Jeff Tamarkin writes that "() playing on this date is monstrous",〔 and ''The Penguin Guide to Jazz'' notes that "any thought that Smith was a stop-gap is blown away at once."〔
== Reception ==

''The Penguin Guide to Jazz'' noted that "a lot of archive rediscoveries are just ticks in collectors' boxes. This one has real musical value and high excitement: iconic hard bop."〔

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